The Classical Review7d
Blazing Copland, Kirchner highlight AMP’s 10th anniversary finale
Following successful collaborations with the Kontras Quartet and Illinois Philharmonic Orchestra earlier this year, the American Music Project wrapped its 10 th anniversary season Sunday afternoon ...
The Classical Review12d
Bates Piano Concerto proves an instant classic in Trifonov’s debut recording
Bruckner: Symphony No. 7; Bates: Resurrexit. Manfred Honeck/Pittsburgh Symphony Orchestra (Reference). Daniil Trifonov’s most recent release, “My American Story” offers a welcome, wide-ranging ...
The Classical Review29d
A Boston double-shot of Gershwin musicals proves timely and delightful
Aaron Engebreth and Abagail Paschke in George Gershwin’s Of Thee I Sing, presented by Odyssey Opera. Photo: Kathy Wittman What has been harder to come by of late, and not just locally, are ...
The Classical Review28d
Ax masterfully illuminates contrasts and convergence in Celebrity Series recital
Emanuel Ax performed music of Schoenberg, Beethoven and Schumann Sunday afternoon at Jordan Hall for the Celebrity Series. Photo: Robert Torres/CS Of all the unexpected connections to emerge from ...
The Classical Review20d
A harpsichord festival grows in Washington, courtesy of Capriccio Baroque
Justin Taylor will open Capriccio Baroque’s harpsichord festival Friday night at the French Embassy. Carolyn Winter founded Capriccio Baroque in 2017, splitting off the harpsichord-centered series ...